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Title: The 19th Century |
| Description:
Dr. Goetz speaks" of changes in fashion introduced in the early 19th
century, even at the Mughal court, following impulses received from the
courts of Kabul and Teheran outside India.
http://www.indianfashion.biz/article2.php?id=7&id1=9&sna=India+Fashion+History&cna=The+19th+Century
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Dr. Goetz speaks" of
changes in fashion introduced in the early 19th century, even at the
Mughal court, following impulses received from the courts of Kabul and
Teheran outside India. As he says
The basis of the
development was the fashion of the court of Nadir Shah of Persia
knee-long, mostly red colored, dress, with pointed neck, open till the
girdle and closed by an insertion. Round the neck, sometimes, a broad,
richly embroidered collar the legs in high boots. On the head a pointed
cap, its summit being crushed, wrapped with a small cloth and a pinned
sar-pesh, short full beard.
Nearly the same costume
is seen on the picture of Ahmed Shah Durrani, but different in the fari
dress and a whole ribbon of pearl-ornamented sar-pesh. The new fashion
included the old qaba, but the neck was let to the girdle and filled
with a tight insertion.
The jama was worn a
little more than knee-long. Under it, wide long trousers (pyjamah),
boots or slippers with high curved points. Over the jama, an over-dress
with short sleeves, often with embroidered collar or with rich ribbons.
This dress was always closed over the chest. Usual is a fur bordered
faiji dress.
Clearly the jama and
its variant, the angarakha, continued to remain a favorite as a formal
article of court dress, but it underwent changes of different kinds. In
the early 18th century, in the period of Farrukhsiyar and of Muhammad
Shah, it attained a greater length than in the 17th century and came
right down to the feet, sometimes covering them and trailing in its
fullness on the ground. In fact, art historians tend sometimes to date
paintings using this length of the jama as a guide. |
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